Succession and On Cinema tackle toxic masculinity

This was supposed to be a growing season for Tim Heidecker In the cinema In the cinema. With subscriptions funded by the HEI network, and with the support of his beloved wife Tony, Heidecker unveiled one massive plan after another — there were Hei Points, which Heidecker described as “US Dollar 2.0,” the Hei-lot season, where his various friends made the pilots run On the grid, and perhaps the grandest of all, is Hay Ranch, which is currently 25 acres of sand but will, after a 10-year plan, become a fully functional community.

Over time, Tim’s plans were shattered. By the final episode of the season, ostensibly a review of American Underdog: The Kurt Warner StoryTim is a wandering mess who can barely put two words together. Even the only light in his life, the final appearance of his deceased doctor whom Tim believes is an angel, has stopped visiting.

brick by brick, In the cinema Viewers watch Tim’s life destroyed by causes that are both inside and outside of his control. It’s a meltdown that has only been matched by another performer this year: Jeremy Strong and Kendall Roy Succession.

Heidegger was mocking different kinds of masculinity In the cinema For years now, he’s switched between being a vengeful king like Brian Cox’s Logan Roy and a permanent, crazy loser like Kendall. Between the two shows, a sinister assessment of masculinity appears at the heart of the American media.

At first glance, the shows may not have much in common. Succession It’s the definition of high-end TV, an HBO show full of big-budget wardrobes that make Twitter fly (Chef’s blue dress!) and remote places, not to mention the accompanying podcast hosted by Kara Swisher. She cares about the lives of Roys, the zero-zero-zero-one percent who run an empire made up of everything from cable news to theme parks to cruise ships.

Kendall and Chef
Photo: HBO

In the cinema In fact it started more modestly, as a podcast between Heidecker and Gregg Turkington, both playing devious versions of themselves in what appears to be a movie show. Once partially funded by Adult Swim and Patreon, In the cinema It is now fully collectively funded. The basic premise of the show is simple: One of the hosts, Tim, doesn’t really care about movies, while the other, Greg, only cares about movies. Through this, the two have weaved a complex legend that includes quack doctors, a killer EDM fest, and two Italian men who love rock ‘n’ roll.

conspiracies In the cinema It often revolves around Tim’s various schemes, which range from alternative medical vaping to starting rock group Dekkar. But when HEI came out, the comedy became focused on a new target: Joe Rogan, NewsmaxTV, OANN, and the growing number of right-wing echo chambers. A wanderer eager to sell his coin and his health, Heidecker wants to strip his audience for every last dollar with a song and a smile.

The show reboots itself somewhat each season, as Heidecker takes on new forms of masculinity in all of its changing forms. There’s a season where Tim moves to Jackson Hole, Wyoming, embracing motorcycling, simple living, and being a pro-life — until his partner has an abortion and realizes Jackson Hole’s friends were white supremacists.

Tim became a rockstar, starting a band with young Italians Accione and Manuel, Decar, which eventually turned into an electronic dance music band called DKR. He became an entrepreneur, and opened a cinema called Six Bags Cinema. He created the Electric Sun Desert Music Festival, where children die. Make Trump run for attorney general. Each of these journeys ends in complete disgrace, only to find him sank to the bottom, and in turn emerges with an entirely new messianic ecstasy.

Tim Heidecker and Greg Turkington at On Cinema

Tim Heidecker and Greg Turkington at On Cinema
HEI . Network

where In the cinema scattered, Succession direct. It’s a merger of families with media empires, but apparently the Murdoch family is affiliated with Fox. Their fictional network, ATN, is clearly a parody of Fox News, with jokes about aging viewers and news presenters fretting about cancellation culture; One of the season’s best jokes occurs in the opening credits, with the news reading, “I smiled at her from the camera—now I’m facing chemical castration.”

Logan only seeks victory, which is easy enough if you are willing to follow Mr. Burns’ advice: “Family, religion, friendship. These are the three demons you must kill if you want to succeed in business.” Add ignore the massive sexual assault scandal in the cruise section. Kendall seeks to rule through some combination of fear and love, and ends up achieving neither. It’s no surprise that they ruined their relationship, yet they stuck with each other, just like the host of the movie review show and the only movie star he knows.

The two shows began to ask the same question – what is the essence of the people who make some of today’s most popular media? Their answers include delusion, anger, and increasing isolation from everyone you love. This has been confirmed by therapists to billionaires Succession It hits close to home, and right-wing streamers have spent the year pushing deworming on a horse as a treatment for COVID. Satire is not far from reality in either show.

But while there is no real end to modern life’s waking nightmare in 2021, the narrative insists on one. Jesse Armstrong SuccessionIts creator and Tim Heidecker seem to agree on this very much: if these things end, they will end badly. SuccessionShowing the brutal end to the hopes of Rui’s three main children who were decimated by one of their husbands, they named it The Third Caliphate: The Rise of the Wambsgans. As awful as all of them are, it was hard not to feel a twinge of sympathy for the ruthless Schiff, the creepy fascist Romans, and the selfish Kendall.

in a In the cinemaHeidecker switches between aggressor and abuser seamlessly. Mark Brooks (known nowadays as What do we do in the shade? Superstar Colin Robinson) spends season after season as the victim of Tim’s physical and verbal abuse – at one point Tim proclaims during the trial “I have the right to hit you!” He regularly destroys Gregg’s collection of VHS tapes, either by magnetization or arson.

“I grew up in Pennsylvania around car dealers, and these German men, stoics, of the Second World War generation, serious men, very strong masculinity, and there were not so many inclinations to watch sports and drink beer, but boring,” Heidecker said. believer In 2019. “I saw him around me. Repressed men get very angry.” While they stare at Twitter and stock prices instead of sports, the guys follow Succession Not much different.

Tag Brooks as

Mark Brooks as a “Live Oscar” during a special screening at the Oscars on Cinema

All Tim lacks is the Roys’ never ending cash. If he could get that rich, if everyone converted their dollars into Hei Points, he thought he’d be fine. But Kendall and Logan showed what the lie was. If you were bent on conquest no matter what, the world would seem like a perpetual battlefield. When Kendall rightly pointed out to Logan that he doesn’t need the money from the Waystar sale, Logan agrees. Only it does not matter. All that matters is the next win.

The question hanging above Tim, Greg, Al Ruiz, and everyone else unfortunate enough to be dragged into their circles – why can’t they leave? Why do they insist on hating the people closest to them, embracing the worst aspects of their humanity for money they don’t even need, and making a show about movies where they don’t even talk about movies?

The closest thing to an answer is that they know nothing else. They somehow started making money like this and can’t stop now, because the fall would be worse than anything in front of them. So they convinced themselves that this is the right way. All they could do, all they wanted to do, all they had to do, was all they did over and over again.

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