The heroes of the Great British Baking Show are no one you’ve ever seen on screen

In any reality show, there are dozens, if not hundreds, of hours of video per hour onscreen. in a undo, the events of one episode actually occur within two days. On these two days, there are multiple cameras roaming around the cooking tent at any given moment, capturing medium shots of groups, close-up shots of people, and intense shots of food. There are shots from the judges. Snapshots of comedian hosts. Shots outside the tent. Interviews with contestants. Backstage commentary from the judges. It is all then assembled into something that feels like a cohesive and cheerful 50-minute television.

This happens in the editing room. This is where the decision is made to show Steph kneeling in front of her fireplace. or Kristel Talking to her family on the iPad. Or Richard putting that pencil behind his ear. This is where one sentence is pulled from an interview that you can bet it was taking several minutes. It’s where you see bakers sniff at the loss of their families, worry about falling sponges, and worry about the dreaded “wet bottom.”

The editorial room itself works hard on American reality shows. Given enough material and careful editing, even the toughest runners can be made to seem relatable. Heroes are made there. As well as bastards.

Consider this chocolate display. Only in the first few episodes did I learn that one of the chefs really thought she was at a higher level than the others, that the younger fellow chefs deemed him unqualified to run the group, and that the same chef thought he was too far ahead to take instructions from someone else. just like in undoThese were excerpts taken out of context from much longer interviews. This was done with a specific purpose: to stir up controversy.

On this American reality show, like almost all American reality shows, the situation has been framed, through editing, to make it seem as if teams of chefs were simmering with occult rivalries, disrespect, and ambition at the expense of everything else.

Editors at undo You just have to take a different approach: Everyone is a champion.

I have no doubt that the contestants on The Great British Bread Show They are, by and large, likeable people. Acting is also key to the show, and they obviously look for three things when putting groups together: variety, liking, and baking skills. The latter…is definitely the latter. Yes, it’s important to understand which end of the spoon is put into the bowl, but you’re not going to make a show with people like healthy cheese shop girl Martha, school witch Henry, and Mastering English Housewife. Catherine If your first criteria include their pastry making skills.

However, there is a great deal of interest in the way the show is edited making it the universal beater who survived the loss of Mary Berry, and the greater loss of Mel and Sue. In a sentence, the goal of editing is on The great british bakes It is to show everyone – to everyone – in the best possible light. Everyone is good. Everyone is really happy with our Star of the Week baker. Everyone knows when they make a mistake. Sure, Judge Paul Hollywood may be rude in his opinion of Ciabatta, but even he is really only there to help them learn and wish them the best.

Contestants come out with a few sniffles, but always with an expression of how much they enjoy their “time in the tent,” how everyone on the show quickly becomes friends, and how they really attract those left in the game. We believe so. In later seasons, they even finished off the finale by letting us know that the contestants kept visiting each other and going on vacation together.

It’s touching, damn it.

American reality shows sifting through hours of recordings and writing a story that doesn’t just focus on heroes and villains, it’s Mostly bad guys. The focus is on conflict, and on the potential for betrayal, blame, and betrayal. They don’t just assume that’s what the audience wants, nor do they think any other approach is possible.

The great british bakes He also creates his stories in the editing room. But the theme of those stories is kindness, hope, and cooperation. Overlay this with contestants who are deliberately chosen for diversity in age, gender, background, religion, gender, and ethnicity. They appeared as normal people because they are normal people, not potential actors whose demo tape included a swimsuit shot.

The result of all this was a heartfelt love letter to the people of the United Kingdom. A story that welcomes immigrants, praises individuality, and serves everything with a variety of accents that go beyond cake. He. She. Make. You are. Feel. Hassan.

Excuse me, undoCan we start another season now? And please, American reality shows, take the lesson.

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