The Matrix Resurrections review – The Verge

Resurrection Matrix He warned me that her presence was a bad idea, and I kept watching anyway. I really have no one to blame but myself.

Resurrection Matrix It is, to its credit, a rather strange movie – but it’s often more self-aware than good or fun. Directed by Lana Wachowski instead of the typical Wachowski sister duo, resurrection It starts with an interesting part of the episode behind the script before turning into a lukewarm sequel. It’s a disturbing, unfamiliar, and reactive chop of a wonderful and timeless piece of work, albeit seemingly intentional. Seeks to dissect adulation and the myths that have arisen around it the matrix Over 22 years old but without the exquisite craftsmanship that inspired this adulation in the first place. And worst of all, kung fu is not very good.

resurrection It is a direct sequel to 2003 Matrix revolutions, a continuation of the story of Neo, Trinity, and a few other well-known characters from matrix triple. (If you don’t know who these guys are or if you haven’t given them much thought since then, I highly recommend cleaning them up.) But in spirit, this is a sequel to all. matrix A cultural phenomenon that began in 1999. Without going into details, I don’t mean this in an objective, abstract way. resurrection The narrative responds very directly to decades of people analyzing everything from Matrix Bullet timeline to its transgender subtext.

It’s a promising premise for a new installment in the series, and the early implementation is great. resurrection Open calls back to the icon matrix A scene as elegantly new characters introduce and compelling plot trilogy, complete with a new palette that spices up the classic monochrome series with splashes of bright color. This is followed by an effectively important post for a particular media industry that will remain nameless. echo matrix contemporary thirteenth floor – As well as its predecessor, Rainer Fassbinder world on wire With a story about losing track of the line between fact and fiction but newly created for a world where that philosophical dilemma has permeated popular culture.

If you want to know as few plot points as possible about Resurrection Matrix, You can skip this paragraph. But if a little context helps, the movie starts with the reintroduction of Neo (Keanu Reeves) and Trinity (Carrie Anne-Moss) into a version of the Matrix simulation. The couple don’t know each other and don’t remember their previous selves, the former has achieved lonely fame within the simulation while the latter enjoys a family and a quiet life.

Reeves is all the more fun to watch in the first act of the movie, playing a weary man of the world tired of being praised as a visionary for creating something he now finds fundamentally absurd even when it nearly ruined his life. (A shot of him lying in a bathtub with a rubber duck on his head is just as good in context as it was in the movie trailer.) Moss tries out a less rigorous, more human version of Trinity, and her story touches on intriguing questions about the meaning of attachment within the virtual world. the original matrix It was about a reclusive, reclusive young man, but resurrection He takes more seriously the idea that you can find meaning with other people in an activity that remains essentially fake.

From the get-go, though, it often feels like writing is throwable. where the matrix eager to talk about big ideas like free will and the nature of reality, resurrection Is a series of burns on techbros, obsessed fans, the media industry, people who think quotes from movies make them great, and other less contemporary villains.

The original film was also clearly a product of its time, lauding tropes about corporate cabin workers, virtual reality utopias, and 20th-century boredom. But it used these details as the building blocks of a self-contained and compelling world even after the key cultural moment had passed. in a Resurrection Matrix, these items are an episodic commentary that never establishes itself in a larger plot – especially because when that larger plot Do You step in, it’s flat at best and awkward at worst.

like the original matrix triple, resurrection It finally revolves around questions about Neo being “the one”, a character with the ability to control the Matrix. But unlike those movies, resurrection Do not specify why it is important.

the matrix He bolstered his stakes by charting a terrifying future where humanity was always on the brink of total slavery, a few of its free members lived a life of constant fear, and it was the weapon that resistance fighters had spent their entire lives searching for. Its infamous sequels softened a lot of that gloom, but in return, the films presented characters with enthusiastic homes, families, and dance parties — most of whom fascinated Neo, not because of some idol-like affection, but because he might save those. Things. (The main exception, a number introduced in Animatrix Dubbed “The Kid,” his worship of the hero was played as a poignant joke.) Even a character like Morpheus by Lawrence Fishburne, who built his life around finding and protecting Neo, was motivated as much by the concept of faith as it was by a personal attachment to it. the man.

There is none of this in resurrection. For one thing, the movie hardly bothers explaining what happened as a result Matrix revolutions It ends, when Neo’s powers finally help him broker peace between humans and machines. Far from ignoring the sequels, it directly incorporates footage from them and features some throwback characters. But it also quietly reflects large parts of it for no satisfactory reason, making the import of everything Neo and Trinity did in those movies blurry.

On the other hand, the new movie characters have almost no motives outside of Neo Mania. The heroes, who are almost functionally interchangeable except for the fugitive Bugs from the blue-haired Matrix (Jessica Henwick), think he’s a cool guy and want – as an actual stated mission – to help him get the Mojo back. The bad guys are obsessed with torturing him for reasons undiscovered, even when that hinders their actual theoretical work.

Jessica Henwick as Bugs in Resurrection of the Matrix

Meanwhile, Neo himself is interested in nothing but rekindling his relationship with the Trinity. the matrix The films have made the love story between the two more a part of the narrative as the trilogy progresses, and that’s clearly what Wachowski wants to focus on here. But it’s written in such a way that Neo comes to fruition as either selectively amnesiac or eerily unconcerned with the fate of the human race. His distrust of anything but Trinity also wastes opportunities to help explain the foundational plot points, which are instead bred and abandoned almost immediately. And the duo’s interactions, despite being the supposed heart of the movie, are strangely disjointed. Wachowski has definitely Read all of those articles on Trinity Syndrome, but the Trinity personality arc is still incomplete and weak – full of moments that describe having conflicts rather than letting them unfold.

Matrix The sequels featured countless flaws, but showcased the Wachowski sisters’ immediate talent in a visually memorable ensemble and elaborate choreography. resurrection It has only one sequence that is close to fun Matrix Reloaded sprawling or car chase Matrix Revolution A gigantic mechanical battle, and it ended too quickly. Barely trying to capture the magic of the origin Matrix gunplay and wire-fu too. Her fight scenes derive more power from the aftermath.Born’s identity A pragmatic, choppy fighting school that gradually becomes more routine, more vain and difficult to follow thanks to its fondness for audience scenes involving the movie’s zombie equivalent.

But the most frustrating thing of all, resurrection He appears dedicated to shooting himself in the foot – and apparently not dodging the bullet – with matrix Callbacks that undermine its strengths.

Yahya Abdul-Mateen II as Morpheus in The Matrix Resurrection

In two selection decisions that are technically spoilers but have already been confirmed online, the film presents guards Yahya Abdul-Mateen II as a new iteration of Morpheus and Mindhunter’s Jonathan Groff as a remake of villain Agent Smith. The film’s professed theme fits sophistication and iteration in theory, but in practice it puts both men in a position to recast famous past performances – in the case of Abdul Mateen, from one of Hollywood’s most charismatic actors. He ended up playing more than just a bunch of spontaneous banter in a fancy suit, while Groff got his shot at in a one-of-a-kind performance that choked him overlapping with original Smith actor Hugo Weaving.

There is no good reason to do this. Narrative continuity does not require the appearance of either man: Smith’s destruction was a central element in Matrix revolutions, and Morpheus was legally killed in a video game by flies. Both roles could have been written more compellingly as original characters. The film stretches in so many directions that Smith and incarnate Morpheus spend time grappling with their evolution, retaining almost none of their original impulses, and Nu too busy worrying about Trinity to interact with either. (The fact that Fishburne and Reeves had by far the most chemistry and the best combined arc of any two matrix The cast members make this doubly sad.)

Smith’s presence is particularly unnecessary because he is not the primary antagonist. That questionable honor goes to a new character who wrote like a chatbot trained on comments in the “Rational Skeptics with High IQs” subreddit, except that that description suggests at least some sort of explanation for why it exists.

Instead, the paraphrase feels like an act of frustrating irony, the logical conclusion to Marvel-style storytelling where viewers can only care about a new character if they’re a reincarnation of an old one. Given the film’s candid narrative, I think his embarrassment is intentional. resurrection He spends his entire first job telling audiences that a new file is matrix Installment would be an empty byproduct of a corporate coercion disguised as an innovative remake of a classic. Like almost any modern major movie or franchise game that is supposed to “disassemble” its predecessors, it has been given the freedom to take a subversive stance before delivering exactly the thing that’s needed.

As a deeply formed person the matrixIt’s a bit sad to get away from him Resurrection Matrix With the impression that franchise-based media had badly spoiled his legacy for Wachowski. I was young when it first came out, and it’s the first movie that I remember treating it as a kind of overwhelming aesthetic experience rather than a story that happened to include image transfer. Watching it decades later, it’s a perfect Gestalt with unforgettable dialogue, seductive plot, action camera, and elegant violence. the matrix She’s more than ripe for a self-aware joke – but she’s not one designed for a machine that won’t let her be modest.

Resurrection Matrix It will premiere December 22 in theaters and on HBO Max.


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